changing on the inside

My neighbor across the way moved out a few weeks ago, and now the apartment is being readied for its next inhabitant. The outside remains the same, at least for now. But there is evidence of change happening inside – the old bathtub that laid in pieces until it was picked up for the trash, the men who pull into the parking lot each morning and begin unloading equipment, the thwack of staple guns and the loud buzzing of drills and electric saws that makes my thin windows tremble. This morning as I pulled out of the driveway I saw doors and drawers, re-painted and drying in the sun and wished for my own dingy apartment to undergo such a transformation. It’s aging, and old to me. The sink old and stained, grout between tiles is browned, the hardwood floors are scratched and stained. It is home, and comfortable, yes, but I feel the ways it is growing stale.

My friend, a homeowner, just finished a renovation on her kitchen. I saw its progress in quick visits: the preparation (a port-a-potty installed on their property), the excavation (walls came down), the slow build in all its dirt and raw wood (new foundation, bare wooden frames), and then, finally, the new surfaces, the finished space. She toured me when it was done. As I pulled open new drawers and cabinets and ran my hand over the cool, smooth black counter top, we recalled where the old pieces of the kitchen once stood – the sink was here, the wall there. The old room was difficult to remember now, with this new space so concrete and beautiful.

Soon after the renovation began, we mused together on the obvious metaphor of it: old becoming new, destruction and rebuilding. We both have felt it in our lives in one way or another. I remember her saying something about the nature of renovation and how it might have been so much easier to move somewhere new, undergo a complete change, leave the old behind. Who of us hasn’t been tempted to escape and start over? But then there’s the process of owning all of the aged parts of the life we’ve been given and invest in their re-making. This process is more difficult, in some ways – if we think about the renovations in our own hearts, it’s painful to excavate all of the dusty and dingy places we hide away in unknowable depths (how is it that our finite hearts never seem to run out of infinite pathways and places to store what we would rather forget?).

I have known this instinct. When I settled back into my old life after a few months in what felt like a new one, I very much wanted to buy that new house instead of renovating the old one. But then the old one embraced me – the old apartment, the old family, the old job, everything the same – and I have been receiving, slowly, the renovation of those deep places in my heart. I’m about to rebuild you is what the Spirit said to me in those early days, speaking from the book of Isaiah, even when I hadn’t yet experienced the worst of the battering storms that would un-do me on the inside.

I may not get to see what's changed inside the apartment across the way. Someone will. My new neighbor will know its newness under his feet and as he hangs old photos on its smooth white walls. 

in the long night season

I'm sitting on my couch. Out of the corner of my eye, I see the blinds lowered over the window. Except that they hang crooked. I can never seem to get them even. Those two strings never hold with the right amount of tension. The side that's higher lifts inches above the window sill. Beyond it, a small, insistent glow from the white Christmas lights I left strung around my porch peers through the dark night and into my window. Drops from the first (late) winter rain sit on the window. They catch its light and sparkle. The condensation blurs the edges. Around it all: night.

This is life right now: dark mornings, dark evenings, couch-sitting, small details, mundane details, crooked details that I still can't seem to get right after all these years. Tension held un-balanced. January is all about starting small, slow, silent, a stark contrast to the bright, fast, full December we just paraded through. Hopefully, it's about noticing, about keeping candles lit and lights glowing even if they're small, about the grace that holds a never balanced life -- still whole, and worth living.

These are the first attempts at creative words I've written in over a month. Of the many things I may have learned about myself over this past year, one is that words are hard-won is transition. The un-balance is weeks and months when my head is wrapping itself around how to live. I haven't yet learned to dig words out until I'm on the other side. Something else I've learned, or am learning, is how darkness creeps in after those large, bright full days are over until night is longer than day. But night seasons are part of how the world moves and spins, how it turns over, part of the creation God called "good" (is what my pastor said yesterday, and I am trying to believe him).

Or maybe this is the way I am supposed to write it: after many long nights, day will always become longer than night, and something brighter than twinkling Christmas lights will announce itself through the cracks in my crooked blinds. I'm sitting here. I'm waiting.

[If you are reading, thanks for joining me here. I may or may not be adding more words in the coming weeks... stay tuned.]

photo: sunrise at griffith park

i listen and give shape to what i hear

The way I move through a day still feels strange. Three months of them have been filled with the cloudy murk of things I can’t put into neat 8-hour chunks of time I used to spend in the box of a cubicle. Where my office supplies were tucked into rectangle drawers and word documents dragged and disappeared into tan-colored folder icons on the square screen in front of me. When I friend asks, how was your week? I pause and wonder if I am being asked to recount the things I did in it, if that is the measure of how my week was, because there is no such list and even if there were, it would surely come up shorter than my waking hours.

There is the work of sustaining a life in transition, which isn’t given the job title it deserves. One potential employer asked what I did during the two months between leaving my old job and arriving in Nairobi, and the most true answer I could have given her was move my life to a different continent. Even that isn’t the best answer, because there was also the work of preserving my life here for when I returned. I think now of all those films depicting Victorian-era England and the furniture that was covered in white cloths, the silverware and china locked up, the fields laid to rest. It takes time to arrange a life that will welcome you back.

And now, the coming back. The hours I sleep, willing my body to catch up with my heart that has been racing from the thrill of it all. (Just yesterday, a nurse-friend told me that for infants, breast-feeding is as taxing on the heart as running a marathon. No wonder they sleep so much, and so deeply.) The excavating of memories and words that went underground in the aftershocks of returning, this in conversations with friends whose patience goes deep, and whose eyes are trained to spot the glimmering of gold underneath all that dirt and rubble. The steps forward, by which I mean resumes and interviews and thank you notes and wondering and discerning, along with the careful threading of the old with the new. When it is finished, I want it to speak a story of love and faithfulness, and I want it to be beautiful. 

If life before was a race, as many people describe what we Americans do, living now is more like a dance. There is no beginning or end, only moving from one position to another. Some are drawn out more slowly, others repeated over and over, all of them coordinated to some beautiful song that plays from somewhere. I listen and give shape to what I hear.

***

(photo: petals carried by water)

to be the child still

I sat near Sue on her couch. She had pulled the curtains to keep the room cool on that hot yellow morning in late October and laid out a platter of fruit and crackers on the ottoman in front of us. 

Across from the couch, on the shelf under the tv was a row of children’s books, and in the corner a posterboard decorated with stickers of friendly skulls and witch hats in green, orange and white – indicators of her nearly four-year-old granddaughter.

Sue lives with her daughter's family. Among Sue’s many roles is to take her granddaughter to preschool each morning and pick her up each day at noon. They made those Halloween posterboards together, and I’m guessing they also read those books and play with Sammy, the small brown dog who laid sleepily in the corner of the room while Sue and I talked.

I figured Sue was eager to talk about her granddaughter, and I wanted to know, so I asked. She’s just so creative, Sue said proudly. You should see what she does with legos. She told me how, every time there’s another birthday in the extended family, her granddaughter will bring out her legos and build a cake, complete with characters or figures on top, just like the Dory figurines that sat atop her cake when she turned three.

It wasn’t the details of the story that got me. Lego cakes are not that unusual. I have seen a lot of kids do a lot of things with legos. Instead, it was the way Sue told me, with such conviction that what her granddaughter created was unmatched and delight in how she sees this young one bringing forth what is inside her. In that moment, I became the child again, eager to demonstrate what I can do, eager for a subjective audience who sees me through eyes clouded with love. Maybe this is the way my Father talks about me, I thought, about the things I’m writing and about the ways I tried to love people in Kenya and the new ventures I’m embarking on.

I wanted to sit with this longer, to be the child still, but Sue kept talking, about her granddaughter and all manner of things. I put my childish desires aside but it came back to me later, when I was alone, and now, as I sit and write and build and take very seriously what might be clumsy lego birthday cakes but, to some, seem to change the world.

***

(photo: not Sue's granddaughter)

call to prayer

Here is how I knew I was in Somaliland. As I slept on the floor atop a flimsy mattress covered by a cheap, scratchy sheet, distant voices called sleeping souls to prayer. In those deep, dark hours between night and morning, they woke a whole city. Then, louder: the mosque next to our school started its call, weaving in and out of the other softer voices already singing. The strange words were carried on a tune that sounded at once eerie and ancient to my Western ears. I pulled the soft, fuchsia scarf I used to cover my head by day, my sleeping body by night, up over my head and willed myself back to sleep. After the call, the still, silent morning returned.

looking intently (or, trying)

I used to write in places where I was anonymous or alone. Coffee shops or my kitchen table. Now I write in a garden where guests and friends interrupt me, even when I wear my headphones. I write less this way, but most of the time I have more fun.

A man today told me God will bless me with a well-paying job after my time in Kenya. The other week, a guest told me God has a gentleman set aside for me. I wonder if these words are from the Spirit of God; I wonder about the spiritual lives of these bearers of blessings, if I can trust the blessings to bring their fruit. Either way, can't I trust that there is something good and full in the words they have spoken -- a wish for a full life?

I was supposed to teach English at a community center today, but instead I took the day off. Which actually led to deeper work than I probably would have done if I'd carried on with my schedule.

Kenyans ask me for things. They see a mzungu and assume I can help. It's not a magic wand they seek, but the advantage of privilege. Money isn't just money; to give is a sign of friendship. I am learning to respect that, and to understand the ways I really am able to help.

Kenyans are also extremely generous. Don't discount the treasure of a smile, a spoken blessing, friendship, English, welcome, tea.

At first, time here seemed long and slow. Just the other day, it turned fast and short. And a lot easier. Now I realize how the struggle of those early days demanded my attention, required intention. I don't want to float through these last few weeks and realize I still wanted to more. (I want to want more now, and go after it.)

I want to see need here the way it is to be seen, not through my own lens of what should be had. I want to see provision and help through the lens of those who will receive it.

abundance is what grows wild and free

I wanted flowers to fill the empty vase on the counter. This felt especially important since my move from a small, updated guest room to the back cottage. The space feels empty and impersonal, furnished with a few old, mismatched pieces. Hooks and nails jut from the wall wear past inhabitants might have hung a painting or a framed photograph -- but I had none of these to add. My first day, I opened all the cabinets to take stock of what was available and what I might need. In one of them was that vase, which I pulled out and set on the counter. I would find flowers.

The green grocer I sometimes visit sells bouquets, and there are stands I've seen with buckets of flowers for sale. But I live in a literal garden. Surely I could cut something from what's already here? Tom is the gardener, and a self-appointed Swahili coach. I approached him as he re-potted a red stalky thing and bumbled through our typical greetings. Then I asked, can I cut flowers to fill my vase? He laughed, not understanding at first why I was asking. I told him I didn't want to ruin any of the plants or cut at something I shouldn't take.

He laughed again. They are all wild, he said. You take what you want. To him, I realized, nobody owns what grows freely. His job is only to cultivate what's here.

I went for my scissors and the vase, looking around for something that would fit. Only a few cuts and it was filled with green leaves and a few purple flowers. I once thought abundance meant knowing I could spend money on things like flowers, and perhaps that lesson is an important one to understanding the concept. You can buy and not be afraid. And yet now, having been invited to find all that I needed from what's around me, for free, and so simply, I realized there's more to abundance than buying. There's also recognizing what you have around you and seeing that it's more than enough.